New Listings
- Gibson F4-custom #11606
- Gibson F2 #78338
- Gibson L5 #94133
- Wiens F5 #13
- Wiens F5 #10
- Wiens F5 #4
- Wiens F5 #20
- Wiens F5 #19
- Wiens F5 #18
- Gibson F4 #57611
- Gibson F4 #58557
- Gibson F2 #3955
- Gibson K2 #7287
- Gibson A #88118
- Gibson H4 #61471
- Gibson F4 #12689
- Gibson F7 #92107
- Gibson F4 #96390
- Gibson F2 #28292
- Gibson A #84768
- Gibson A4 #86106
- Gibson A2Z #74971
- Gibson A2Z #75638
- Gibson A2 #65504
- Gibson A #22752
- Gibson F4 #26719
- Gibson A #69086
New Images
- Lloyd Loar F5 #71839
- Gibson A #87208
- Gibson F2 #72176
- Gibson F7 #92107
- Gibson F4 #96388
- Gibson F2 #22968
- Gibson A4 #46309
- Gibson A #71259
- Gibson F2 #8345
- Gibson H2 #9419
- Lloyd Loar H5 #76458
- Lloyd Loar F5 #75316
- Gibson K2 #12855
- Lloyd Loar F5 #75693
- Lloyd Loar F5 #71628
- Lloyd Loar F5 #71055
- Wiens F5 #23
- Gibson A2Z #77658
- Gibson A #73113
- Lloyd Loar F5 #73677
When Snakeheads Attack
Suddenly snakeheads seem to be the big thing in the vintage market again. Known for their pegheads that slope away from the body of the instrument giving the appearance of a snake's head, these mandolins mysteriously hail from the 1922-1924 range just like Lloyd Loar mandolins. Why they stopped making them and reverted back to the old "paddle head" in 1925 when Lloyd lleft the building is anybody's guess
This photo and another 15 updates courtesy of Charles Johnson
Pee Wee Lambert's Loar
Loar-signed F5 mandolins from the golden age of bluegrass are thin on the ground. This Loar F5, #71628 was formerly owned by Pee Wee Lambert. It has recently been restored by Steve Gilchrist back to a much more accurate and original hue.

